The Asahi Shimbun Company is a longstanding corporate sponsor of the British Museum. In addition to the original brush drawings, the exhibition showcased Hokusai's masterpiece The Great Wave, alongside objects that gave further insight into his working practices and demonstrated the intricate process by which his woodblock prints were created. For reasons unknown, the book was never published, presenting the opportunity to see these exceptional works which would otherwise have been destroyed as part of the woodblock printing process.ĭepicting scenes from Buddhist India, ancient China and the natural world, the brush drawings not only showcased Hokusai's inimitable style and skill, but also revealed a version of 19th-century Japan much more intrigued by the wider world than previously thought.Īs well as offering the unique chance to study Hokusai's masterful brushwork directly, the show shone a light on the last chapter of the artist's career and life, uncovering a restless talent that burned brightly into his final years. In a global first, this exhibition displayed 103 recently acquired drawings by Hokusai, produced in the 1820s–1840s for an illustrated encyclopedia called The Great Picture Book of Everything. This five-star exhibition showcased a collection of rare drawings by Katsushika Hokusai – one of Japan's most celebrated artists, best known for his iconic print, Under the Wave off Kanagawa, popularly called The Great Wave.
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